Our Model

Our Process

At its core, KADAM is driven by a set of clear objectives: to uplift local artisans, promote sustainable practices, and catalyze economic growth in the community. These objectives serve as guiding principles, directing the efforts of a diverse and skilled team. Comprised of experts in community development, market research, design, green technology, and monitoring & evaluation, this team is equipped with the expertise necessary to navigate the multifaceted challenges inherent in such an endeavour.

Community Mapping
  • A process designed to delve deep into the social, behavioral, aspirational, and economic dynamics of local artisans.
  • By using village mapping techniques to gather comprehensive understanding of each village’s physical layout, resources, and infrastructure to have a deep understanding about the community.
  • By using aspiration mapping to identify and document the collective aspirations and long-term goals of the artisan in the community.
  • By using breakdowns of annual and daily activities to gain insights into various facets of their lives, including work patterns, seasonal variations, cultural practices, and social interactions.
  • By using raw material resource mapping to assess the availability, sourcing locations, and pricing of raw materials. Apart from that to facilitate quality assessment, sustainability analysis, supply chain optimization, and risk management.
Skill Assessment
  • Artisans’ skill levels are evaluated using standardized tools, enabling the benchmarking of skill levels to tailor training programs effectively.
Design Development
  • Develop designs based on market trend.
  • Create prototypes for feedback and refinement.
Skill and Product Training Programs
  • Implement skill training to enhance the artisan skill on the new designs.
Machinery and Infrastructure Inclusion
  • Identify necessary upgrades in machinery and infrastructure.
  • Procure, install, and maintain equipment.
Monitoring and Evaluation
  • Use different data collection tools to collect real-time data.

Our Ongoing Projects

Palm Leaf Basketry Off-Farm Value Chain Development

Location: Vilathikulam and Pudur Blocks, Tuticorin District, Tamil Nadu
Partner: HCL Foundation

Introduction:

The Palm Leaf Basketry Off-Farm Value Chain Development project empowers rural women in Tuticorin, Tamil Nadu, by teaching them palm leaf handicraft tailored to global market trends. This initiative trains 50 women from Vilathikulam and Pudur blocks, many of whom are new to the craft, in creating contemporary products that meet international demand. The project fosters economic independence while preserving traditional skills, ensuring that their work remains relevant and competitive in the global market.

Sustainable Livelihoods through Artisan Empowerment

Location: Odisha and West Bengal
Partner: FUCHS

Introduction:

The Sustainable Livelihoods through Artisan Empowerment project focuses on enhancing the skills of 40 artisans in Odisha and West Bengal, with a specific emphasis on sabai handicraft. Supported by FUCHS, the project also aims to develop two craft managers who will lead and sustain the growth of this craft. This initiative will have a ripple effect, positively impacting approximately 300 people by promoting economic stability and preserving the region’s traditional craftsmanship.

PROJECT PRATISHTHA: Multi-Craft Fusion Artisan Empowerment Initiative

Location: Srinagar, Jammu and Kashmir
Partner: TITAN

Introduction:

The PROJECT PRATISHTHA: Multi-Craft Fusion Artisan Empowerment Initiative aims to preserve and enhance five traditional crafts of Kashmir: Wicker, Waguv, Copper, Sakhtasaz, and Naqqash. With the support of TITAN, this project will identify and train 20 master artisans, focusing on skill development and market integration. Additionally, two craft managers will be developed to lead the initiative. This project will benefit approximately 300 people, fostering economic growth while safeguarding Kashmir’s rich cultural heritage.

Jhelum-Tawi Flood Recovery Project (JTFRP)

Location: Ganderbal, Jammu and Kashmir
Partner: World Bank & Government of Jammu and Kashmir

Introduction:

The Jhelum-Tawi Flood Recovery Project (JTFRP) focuses on reviving the traditional craft of Willow Wicker in Ganderbal, Jammu and Kashmir. Building on our previous project that trained around 900 artisans, this extension will introduce new designs and techniques with a focus on Sakhtasaz craftsmanship. Supported by the World Bank and the Government of Jammu and Kashmir, this project continues to empower artisans, ensuring long-term sustainability and market relevance for their products.

Our Past Projects

Partner: HCL Foundation

Location: Hardoi, Uttar Pradesh

Introduction:

With support from the HCL Foundation, we revitalized the traditional crafts of Moonj and Kaansh in Hardoi, Uttar Pradesh. This project trained 397 artisans, equipping them with advanced skills to enhance their craftsmanship. By integrating modern techniques with traditional artistry, the initiative provides sustainable livelihood opportunities for artisans while preserving cultural heritage.

Partner: Titan

Location: Bihar and West Bengal

Introduction:

With support from Titan, we revitalized traditional crafts in Bihar and West Bengal by training 353 artisans in Sikki, Sikki Mache, Madhubani painting, Bamboo, and Sholapith. This project enhances artisanal skills, preserves ancient crafts, and helps artisans access larger markets and diversify their income streams.

Partner: Government of Jammu & Kashmir and World Bank

Location: Jammu and Kashmir

Introduction:

In collaboration with the Government of Jammu & Kashmir and the World Bank, we trained 953 artisans in the traditional art of Willow Wicker. This project helped preserve the centuries-old craft while creating sustainable economic opportunities for artisans, enabling them to improve their production quality and expand their market presence.

Partner: UNESCO

Location: West Bengal

Introduction:

Supported by UNESCO, we trained 1,523 artisans in West Bengal, focusing on five traditional crafts: Sabai, Sitalpati, Madurkati, Bamboo, and Sholapith. This large-scale project emphasized skill development, product diversification, and market access, ensuring the survival and growth of these crafts, while promoting sustainable livelihoods for the artisans.

Natural Fibres we are working with

Sabai

Sabai grass, scientifically known as Eulaliopsis binata, is native to the eastern regions of India, particularly Odisha and West Bengal. Historically, Sabai grass has been essential in rural life for making ropes and other utilitarian items due to its durability and flexibility. The tradition of crafting with Sabai grass spans generations, reflecting a deep connection to the land. Artisans harvest, dry, and dye the grass using natural colors, then skillfully weave it into roti box, bags, baskets, mats, ropes, and decorative items.

Moonj

Moonj craft, originating from Uttar Pradesh, India, utilizes Moonj grass (Saccharum munja), a resilient reed found along riverbanks and in marshy areas. This craft has deep historical roots in the agrarian lifestyle of the region. Traditionally, women have woven Moonj grass into essential household items such as baskets, trays, and storage containers. The process involves drying and dyeing the grass with natural pigments, followed by intricate weaving techniques. Known for its vibrant aesthetics and functional designs.

Bamboo

Bamboo craft, practiced across various regions of India, is celebrated for its versatility and sustainability. Bamboo, one of the fastest-growing renewable resources, has been integral to rural life for centuries. In West Bengal, bamboo craft holds a significant place in the cultural and economic landscape. The state is known for its skilled artisans who transform bamboo into a variety of products. Artisans harvest and treat bamboo to prevent pest infestation, then cut and split it into strips for weaving or carving. They create baskets, mats, furniture, and decorative items, demonstrating expert craftsmanship.

Sitalpati

Sitalpati, meaning “cool mat,” is a traditional craft from West Bengal, India, particularly flourishing in the Cooch Behar region. With roots tracing back to ancient weaving traditions, Sitalpati mats are made from the fine strips of murta plants (Schumannianthus dichotomus). These mats are renowned for their cooling properties and intricate designs. The process involves harvesting, splitting, and sun-drying the murta plants before weaving them into detailed geometric patterns. Historically prized for their durability and comfort, Sitalpati mats are valued today for both their practical use and aesthetic appeal.

Madur

Madhur Kathi handicrafts stand as a significant art form in West Bengal, India, deeply rooted in the region’s cultural heritage. This traditional craft revolves around the intricate weaving of designs using the “kathi” or “reed” sourced from the riverbanks. Talented artisans adeptly craft a diverse array of products, ranging from baskets to mats and wall hangings, utilizing this eco-friendly and sustainable material. Through their skilled hands and creative vision, Madhur Kathi artisans not only preserve age-old techniques but also infuse each creation with a unique blend of craftsmanship and cultural significance, making them cherished pieces of art.

Willow Wicker

Willow wicker, a cherished craft originating from various regions including Jammu and Kashmir, embodies a rich tradition of artisanal skill and natural resource utilization. Willow branches, meticulously cultivated and harvested, are transformed into a diverse array of products ranging from baskets to furniture. This ancient craft, passed down through generations, reflects a deep connection to nature and a commitment to sustainable practices. With its timeless appeal and functional versatility, willow wicker continues to captivate admirers worldwide, serving as both a testament to cultural heritage and a source of artistic expression.

Sikki Grass

Sikki grass craft hails from the Mithila region of Bihar, India, and is deeply woven into the cultural heritage of the area. The golden-colored Sikki grass (Vetiveria zizanioides), harvested from wetlands and marshes, has been used for centuries by women artisans to create various items.

Sikki grass, known for its strength and flexibility, is dyed in vibrant colors and crafted into baskets,, boxes, and ornamental items. Known for its fine craftsmanship and intricate designs, Sikki grass craft reflects the region’s rich traditions and continues to be passed down through generations.

Palm Leaf

Palm leaf handicraft is a traditional art form widely practiced in southern India, especially in Tamil Nadu and Odisha. Artisans harvest palm leaves, which are known for their durability and flexibility, and prepare them by drying, cutting, and treating them for use in crafting. The leaves are skillfully woven and folded into various items, such as baskets, mats, trays, fans, and even intricate decorative pieces. Palm leaf handicraft reflects the region’s cultural heritage and continues to support rural artisans.

Sholapith

Sholapith, often referred to as “Indian cork,” is a milky-white spongey plant matter found in the wetlands of West Bengal, Assam, and Odisha. Traditionally, artisans skillfully carve and mold sholapith into intricate decorative items, such as crowns, idols, and ornaments, commonly used in religious ceremonies and weddings. Known for its lightweight and delicate appearance, sholapith craft is highly valued for its elegance and fine craftsmanship. This eco-friendly material has been an integral part of cultural rituals for centuries, reflecting the rich artistic heritage of the regions where it is practiced.

Waguv Grass

Waguv grass, native to the Kashmir region, is widely known for its softness and flexibility. Traditionally, this grass is harvested from lakes and marshes, then dried and woven by local artisans into a variety of items like mats, baskets, and storage containers. The craft is deeply rooted in the cultural heritage of Kashmir, blending functionality with aesthetic beauty. Waguv grass products are eco-friendly and play an essential role in supporting the livelihoods of rural artisans, preserving both craftsmanship and tradition in the region.

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